For more than 10 months now, Hollywood has been vehemently abuzz over a young British newcomer named Carey Mulligan.You may remember her as the flighty Kitty Bennet next to Keira Knightley in 2005's Pride & Prejudice. If you don't, see nothing to it. I initially didn't either. Hers was one of the quieter roles in the film.
It was only through her first lead role in this year's independent film, An Education, that I received a proper introduction to this up-and-coming actress, who has drawn massive positive hype to this film with her stunning acting contribution.
Eager to study the performance that's been celebrated with fantastic reviews all over America in the past few months, I caught An Education last weekend (and once more after that with Jeanette) and ended up being mesmerised by an extraordinarily gracious talent that reflects the classiness of Audrey Hepburn in the 1953 film, Roman Holiday.
The Education of Life Commences
An Education tells of a story set in 1961 Twickenham in southwest London, about a fascinatingly intelligent 16-year-old Jenny Miller (Mulligan), who has adopted her father's dream of her reading English Language in Oxford University after her A-Levels.
Though her life is kept under the close control of her parents, with her astuteness, wit and wisdom that's far beyond her years, it seems it's only a matter of time before her dreams evolve into reality.The flowering of a romantic relationship with an alluring but older gentleman, however, opens Jenny's eyes to many things she was blinded from before, while under her parents' watchful care.
Things change. Jenny starts to wake up to a whole other world of possibilities as she experiences what the film is aptly titled with - An Education of life.
Writer Nick Hornby (High Fidelity, About A Boy) approaches this at-times-awkward but merry romantic relationship with refined and delicate ease. It's a script of British and English intelligence. His first screenplay with a female as the protagonist - and a highly intellectual, confident and brave one for that matter - has produced one of the most enduring, well-written and juiciest screen roles of the year.
An Education is also a visually beautiful film thanks to the detailed touch of director Lone Sherfig and cinematographer John de Borman, who received the World Cinema Cinematography Award at the Sundance Film Festival in January this year. The film also won the Audience Choice Award at the festival.
Brilliance with Vintage Elements of the Black And White Era
Two of Hollywood's finest actors, Peter Sarsgaard (who received career-best praise in 2003's Shattered Glass) and Alfred Molina (who starred alongside Salma Hayek in 2002's acclaimed Frida) each deliver yet another well-crafted and balanced performance as Jenny's love interest and father respectively. Sarsgaard is enrapturing as the enchantment of the film while Molina has perfect comedy timing as the uptight parent.
But it's Mulligan who holds her own most marvellously in her first silver screen lead role and is constantly captivating as the bright and graceful teenager.
There's a lightness and wholesomeness in the actress's portrayal that evokes a classic Hepburn air - the way she holds a cigarette, her engaging flamboyance, her charming confidence and above all, her fantastic range of face-acting skills. It resonates many of Hepburn's tour de force performances, from that in Breakfast at Tiffany's to Two For The Road and My Fair Lady.
Take a trip back to the movie scene of 1950's and you'll find that many of the roles that grabbed critics' attention and won awards didn't necessarily revolve around tragic stories, holocaust settings or biographical dramas, the way many acclaimed performances are today.They were simple, intimate and lovely - three elements that defined the classiness that we now associate with films from that era.
Mulligan gave just that in a year when complicated female roles were aplenty and still emerged with some of the year's best reviews. She mixed the three elements with deep layers of structure in a way that while we enjoy the essence of classiness in this performance, we also get real with Jenny's coming-of-age story.
As the film progresses, Mulligan peels these layers off one by one for her audience most carefully so that when the film concludes, we can confidently say we truly know who Jenny is.
Come Oscar Night, March 2010
Just yesterday, Mulligan was named by the National Board of Review as the recipient of the Best Actress honour in the first awards ceremony of the annual film awards season.
She's already been deemed by critics as the frontrunner for next year's Best Actress Oscar race, ahead of Meryl Streep (Julie & Julia), Dame Helen Mirren (The Last Station) and Gabourey Sidibe (Precious).
For this turn, Mulligan may very well be the eventual recipient of an Academy Award come March next year. And though it would be too good to be true for a first-time lead actress, it would definitely be well-deserved.
An Education was released in Singapore last week and is given an exclusive screening at Cinema Europa (the theatre in GV Vivocity that caters to art-house, international and festival pictures).


























































